#WE ARE NORMAL AND HAVE NORMAL DISCUSSIONS LIKE ACTUALLY

[3liza]

because most of us can't. the majority of subsistence artists, like sex workers, are in this line of work because we can't do other work. there is also a huge amount of overlap between sex work and subsistence artists and always has been. i have no clue why I continue to see it being discussed as something every artist is simply choosing to do out out some combination of stupidity and narcissism. i would cut off one of my toes to magically have the ability to show up to a normal job every day.

there is a huge blind spot about artists in Marxism and leftist discussion of labor generally because Marx literally didn't talk about them and they don't fit into the "owning the means of production = bourgeois" model unless you're dumb enough to call the guy doing tourist caricatures on the boardwalk "bourgeois", and no joke I have actually seen people try to argue this, but everyone normal understands they are stupid so it doesn't matter. we agree that the guy on the boardwalk with the easel or the bucket drums or the harp is not actually bourgeois.

if you have actually worked in the "creative industry" without support while paying your own rent and groceries and not being supported by parents or friends or a spouse, and you know a bunch of other people who have been doing the same thing for a long time, you are similarly confused by discussions along the lines of "why do artists simply not get other jobs if they hate being slowly fed into the social media meat grinder 🤔"

i can tell you exactly why. it's because I spend 25 days out of every month having to Lie Down, and when I tried saying the words "Americans with Disabilities Act" to various employers and school administrators like you're supposed to, I got shitcanned and failed so many times it was like a vaudeville routine. you will find that this is true of a great many working artists (not hobbyists and not students living at home, adult working artists), perhaps most, and I genuinely continue to be baffled by the fact that nobody seems to be aware that drawing things for cash (or dancing or writing articles or editing manuscripts or taking wedding photos or whatever) and other jobs without set schedules (like stripping, camming, etc) are careers a lot of people, certainly the ones without any starting capital, end up in when they can't get paid more for fewer hours. and you get paid more for fewer hours in basically any other job than these, including working at fast food or walmart.

surely you can hear how this sounds? "if you don't like it, why don't you just get a job that pays more?" where have we heard that before? stop. think.

[cheezewhis]

I'm going to regret this.

Sometimes the iwtv fandom makes me worry about the future of diversity in media. I mean I expect the racist assholes to pop up and bother everyone. That happens all the time and while it sucks, there are ways to filter those people out.

My big worry is honestly on the other end, where people are so desperate for harmony they end up treating minorities like monoliths of purity. Seriously, we have a show with morally grey characters of a variety of colors, a color conscious writing team, actors who constantly discuss the nuances of their characters, and people still find a reason to fight about this. Wasn't this the ideal we were asking for???

How are we supposed to evolve the representation in media if we can't go 2 seconds without fighting about which characters you're "allowed" to like?

You can't like Lestat because then you're condoning his behavior, but you can't condem anything Louis does cause then you're racist, but also you can't like Louis more than Armand because Louis was a pimp, but also you can't like Armand because he killed Claudia, but also that was all Lestat's fault and Armand did nothing wrong and if you don't ship Loumand it's because you're racist and if you do ship Loumand it's because you just hate Lestat and Anne Rice and puppies??? or something, and Clauida is the only character you're actually allowed to like except you are not allowed to like her unless you hate Lestat or Louis because as we've established it's really Lestat's fault she died and also Louis was a bad father and is responsible for Clauida's death so you cant like him either but also you are racist for thinking Louis did something wrong because black characters are not allowed to make mistakes or be nuanced or be human but also you don't get nuance if you like 1x05, you have to hate 1x05 because that episode of the toxic abusive vampire show dared to show toxic abusive vampires and ruined your precious precious perception of Lestat but also if you still like Lestat after that then you must hate Louis because Louis is 5 fucking years old and needs to be coddled but also he's a piece of shit and you cant like him and idk i don't really hear people argue about Daniel but maybe I'm just not looking hard enough and who ever cares cause I lost the plot about 100 fucking words ago.

Like jesus fuck we'll never weed out the racist people in the fandom cause we're too fucking busy fighting each other about, like, if we should let black characters be nuanced and interact with white characters who are mean??? Istg half this fandom thinks Louis (and Jacob Anderson for that matter) is like a battered helpless child who has never been able to stand up for himself. Louis is a character built from very real pain, he's always going to be kind of sad by virtue of that, but he's not 5, he can make decisions for himself.

How the fuck are we supposed to normalize diversity in media if we can't be fucking normal about diversity in media.

Fuck. Everything. And. Everyone.

[drdemonprince]

I’m liking the normalized conversations around childhood sexual assault and sexuality. There’s something even more “taboo” that no one talks about. I dont know if you actually want to respond to this but I’ll type it out if even just for cathartic purposes.

People very rarely discuss sexual assault where the victim actually gets pleasure out the experience. I was molested by a neighbourhood kid not much older than me who I believe was sexualized by his dad and encouraged to do things to the girls in our neighbourhood. I heard rumours about other girls.

Anyway I dont know if these events caused hyper sexuality or if it was already there and that’s why I responded the way I did. But basically he would do things and I would just kinda giggle and enjoy it. I was super young like maybe 4 and he was around 6. In my mind he was showing me attention like grown ups do who are in a relationship so I thought he was kinda like my boyfriend which I liked and I felt kinda special. But he was not into me like that at all and grew up to be a good looking popular prep school boy with like a million girls after him.

I look back and go yeah actually that was kinda gross and weird but my responses always made me feel more shame than what he did. Like there was something wrong with me for reacting that way.

I don’t know if you know Billy Connelly the Scottish comedian. He was molested by his dad and spoke about how it caused pain but there was pleasure in it too. It is like that because if you touch a human body in a certain place and way we will have natural responses albeit unwillingly.

I recently read something on here where this chick who was raped said she orgasmed through it. She still felt violated, traumatized, all those things. But her body responded that way and that caused her a lot of shame.

I wonder if this is more common than we think but no one talks about it? Which makes it a really hard place to come from and harder to try and talk openly about it and get support. Because people just probably think it’s gross and unnatural. Or that is means you “wanted it” therefore it’s not assault and your experience becomes invalidated.

I wish Tumblr's search function was better because I have talked about this many times before! I came during the majority of my assaults, it makes sense that this would be a self protective mechanism that the body employs to prevent physiological damage during rape. One of my assaults is so vividly linked to unstoppable/unintended pleasure in my mind that it's still one of my number one spank-bank topics; I masturbate about my assault on a regular basis and have frequently used sexual scenarios with consenting partners to recreate it for myself. What you are describing is super common anon. Try looking back in the archive for the taboo kinks asks to hopefully see more about this.

[xia0mi-c0m]

The proshipping problem in the twst fandom | A rant.

Very obvious trigger warning for things normal for proshippers like p3dophilia, incest, etc.

Though I do know proshippers will be in every single fandom, it's getting especially worse in the twst fandom, specifically the Japanese side of the fandom (with some discussions about some in the English side too).

Before any proshippers come into the comment section: Proshipping is NOT a healthy coping mechanism. If your therapist recommended it, they should be fired.

This post is not to dehumanize and degrade underage proshippers as they have been obviously groomed into believing that it was okay to ship this sort of stuff.

The actual elephant in the room we WILL be shunning is the adult proshippers who actively encourage children (either actually or under law) to proship.

Before getting fully deep in this subject, I would like to admit something that I've talked about before.

I was a proshipper when I was younger than what I am now. This was because, not getting into too much detail, I was groomed by a man online to the point that i thought it was okay.

Not only was I a proshipper but I was also a darkshipper, problematic comshipper, and also supported the things present in Dead Dove fanfics.

In fact, I had an account on some sort of forum page with other proshippers and I shared my nasty ships there. I believed it was a good way of desensitizing myself to my trauma that fucked me up heavily, but it wasn't and it was making me relive the same trauma which in return, made it worse.

This is why I say that I do not want anyone to shun underage proshippers, they were groomed into it half of the time.

Now that I'm 18 (About to turn 19 on February 14th), I finally understand that proshipping is an unhealthy way of approaching your trauma and pain.

It may feel like it does something, but it really doesn't. And I want to reassure you that you're not alone in your pain, please, find other ways to cope and process what has happened to you that doesn't include glorifying very nasty things.

Now with that out the way, I would like to say what the title says.

Proshippers in the twst fandom has sadly grown overtime, but my niece made a very good point; stating that since twst does have a slightly dark story, that people with dark and nasty thoughts and ideas will be attracted to it, much like a moth to a flame that damages it's already fragile body.

There have been adults in the twst proshipper area, and I think they're the main cause of fueling minors in the fandom to do the same thing. Maybe with or without knowing the eventual psychological consequences.

The adults who are aware sadly lure and prey on the gullible underage individuals of the fandom, and though that might seem like an overexaggeration; it sadly is true.

I am Japanese, well, half-Japanese. But even then, due to that fact, I'm more prevalent in the Japanese fandom than the English fandom though I am trying to balance out both.

Since I am more present in the Japanese side of the fandom than I am with the English side (because I'm basically like an absent dad that went off to get the milk and never came back until years), I have seen a lot of shit in here and it's very scary even to this day.

Though the English side of the fandom is as equally bad, the Japanese side is worse with the whole l0li and sh0ta thing. Sadly I have seen English twst accounts do those things too.

The most popular proshipper you may know is Ugigi or however the fuck you spell her name, whether one likes to admit it or not, her selfships were very much proshipping. This is mainly due to how her OC could've been her actual age which was in her 20s if I'm remembering correctly.

But let's say the OC wasn't, it would still be problematic (but not in the proship way) since the characters she drew NSFW of were mainly the minors (again, if I remember correctly). If her OC was her actual age then she would be a proshipper.

However, watever the age of the OC she always drew, it's obvious that it was still leaning more on proshipping because that indicates that she's attracted to the characters despite knowing they're minors (and not even aging them up by the way).

So, very nasty, I was thinking of putting her In the TWs 😭

All jokes aside, proshipping is disgusting.

In fact, must I bring up any other thing?

LEECHCEST.

WHAT.

Well, you heard that right, people ship Floyd and Jade. Seriously, what is wrong with you guys. And I think I know why this ship is so popular in the Japanese fandom; The fact incest is not necessarily illegal in Japan in a way.

Yeah. You heard me correctly. I'm horrified and scarred for life <3

"Surely there isn't anymore I shall talk about, right? Right?? RIGHT?!?" I exclaim, not expecting anything else to come from the sky and hit me.

Then boom..

SHROUDCEST.

OH FUCK NOT AGAIN.

So, apparently people ship a dead robotic little boy with his big brother.. yeah... FNAF fandom called, they're telling you not to steal their bit much like how Deejus is trying to tell Johnny RaZeR not to steal his "YOUTUBEEE" outro bit that.. he also stole.

It can't get any worse than this, right? This is definitely the last tier of the iceberg, surely? Perhaps??-

KINGSCHOLARCEST.

Okay, now we're pushing it, this bit is getting old but whatever.

Kingscholarcest can refer to three (disgusting) "ships": A nasty ship of Cheka x Leona, a nasty ship of Falena x Leona, or a nasty ship of Falena x Leona x Cheka.

Sweet home Alabama all around but more extreme..

I think we all know why these ships are not okay and are disgusting (ESPECIALLY CHEKA X LEONA SINCE CHEKA IS A GOO GOO GA GA BABY.)

Finally.. It's over.. I can go back to ranting!-

FELLOW X GIDEL.

JESUS CHRIST STOP.

This madness needs to stop because if not I'm going to pull my fucking hair out!-

LILMAL, SILVER X LILIA, S-

OKAY STOP IT RIGHT HERE,, THE BIT IS OLD NOW.

So, I think you get my point.

Borderline incestuous ships, the drake specialty, and straight up sweet home right to Alabama.

Now, let's put aside the jokes and get serious again.

With all the things I have stated, you can definitely see the absolute horror of some parts of the fandom.

There's accounts that are VERY hypocritical, saying "P3dos DNI" when they are a sh0ta/l0licon. This is the literal definition of hypocrisy at it's finest.

There are mfs who have unironically said that Cheka was hot and romantically cute.. HE'S 7 YEARS OLD. OR MAYBE YOUNGER. I DON'T EVEN REMEMBER BUT I DO KNOW HE IS A CHILD.

I have said this MANY times before and I'll say it again; if that characters looks like a child, THEY ARE A CHILD.

Even if you age up characters like Ortho, Cheka, etc. You are still self-reporting that you're attracted to a literal child.

Fiction DOES affect reality no matter if you try to plug your mickey mouse ears with your fingers (or paws, I don't know) to gaslight yourself into believing it doesn't truly affect it.

In fact, there have been cases where people have been arrested for having l0li/sh0ta on their devices, though, sadly, its not a long sentence despite how it should be lifelong.

But even without the lifelong sentence, the law still considers l0li/sh0ta CSAM. (I hate calling it CP now since that implies that kids can do that in their own will.)

A grown adult proshipper even told me when I criticized Kanna from dragon maid for being a little girl the author sexualizes to no end all because I said that she doesn't have a listed age that I was being "contradicting" and I think this proves that.. proshippers DON'T know what contradictions ACTUALLY are because they've gaslit so much into believing this disgusting behavior is normal and okay to do.

And don't get me started on Dead Dove cai, chai, etc. bots and fanfics.

Dead Dove, proshipping, problematic comshipping, darkshipping, doveshipping, etc. doesn't give out awareness to the horrors of such depraved acts.

Another very nasty thing I've seen in the TWST fandom is people shipping the staff with the students, mainly Crewel with Deuce.

Teacher x Student is disgusting no matter what. Teachers are always more grown than the students, so yeah, teachers aren't the anime boy or girl of your dreams or something, he or she's going to be old and otherwise not "attractive" and young.

The training to become a teacher and any profession in fact will take years, which means you'll grow and turn old.

I understand many say "Well, it's just fiction!" but these people seem to forget that young individuals, especially young girls, can see these teacher x student fiction and will probably, in the worst case scenario, get the wrong impression from it, ESPECIALLY if the media glamorizes and romanticize it, and sadly become a victim.

Crewel, If I'm not wrong, is 31 meanwhile Deuce and the other first years that [Crewel] mainly gets shipped with are 16 years old.

This is not only a disgusting, vomit-inducing age gap but huge maturity gap whether one likes to admit so or not.

Yanderes especially in the twst fandom get romanticized, and people seem to forget the reality of the abuse that yanderes put their "love interest(s)" through.

And I think this is why fandoms (not just twst) should stop romanticizing yanderes and student x teacher, and vice versa.

Besides, these two tropes are grooming even if the victim is not a minor, adults and the elderly alike can also be groomed especially if they're gullible and need to depend on someone (for either a disability or something).

People will probably invalidate my point but I don't budge from what I said.

Sorry if this posts looks rushed and/or maybe even incoherent to some, I just wanted to get this off my chest and stuff.

I should start ranting more, I like yapping so yeah, expect more whenever I'm bored :3

Anyways, BAIIII!!

YOUTUBEEEEEE flies away into the void to the right

[x-necromantic-x]

(reblogging w/ my comments under op’s post to have it on one of my blogs)

hi!! this was my post that you're talking about! and wow haha i did not think it would strike this much of a nerve with some people, but it's always a good thing to see other people passionate about things i'm passionate about also.

a few things–

the post overall was meant to be lighthearted in nature, as someone who enjoys both the musical and the poem it wasn't really an us vs them thing. moreso a playful jab at people who made assumptions about the myth based off the musical (which, in my comments there were a lot of) and if you don't do that, the post doesn't apply to you!

in the pinned comment under the post i talk about how a conversation can definitely happen over the ethics of the situation, i'm all for interpretations of the story and enjoyed the people discussing the myth from the perspective of actually having read the myth or of being aware of it. whenever i corrected people in the comments, it was about things they got wrong about the material specifically, such as people saying circe used her magic to force him to bed or arguing about things a simple google search could tell you whether it did or didn't happen. If you interpret the text as being non-consensual, it was never the point of the post to say that your interpretation is incorrect! me personally though, i don't like the optics of circe being turned into a supporting/positive character if she was a rapist in the original.

I wasn't defending hamilton lmao!!! it was a joke!!! it was a bit!!!!

i also never said homer!odysseus was a horrible person! i very much don't think he is! to me, the point of the story is it's exploration of the human condition, and that even if he had faltered in his resolve to get home, that he still wouldn't have been a horrible person because any normal person in his shoes would have done similarly! i dunno where you got this bit but yk, js for the record.

your interpretation of book 10 in the odyssey is fine, if not a little lost on me. odysseus was certainly not initiative in the task of going home. of course, you can read and take away from it whatever you like, but– and i'm not trying to sound pretentious here– in my analysis class for the odyssey specifically we talked about how this section of the odyssey goes into the nature of human temptation when faced with luxury or an easier way out. Odysseus intentionally spends longer than he has to, a full year, and doesn't make the decision to leave until his crew bugs him and calls his delays “madness”. That doesn't read to me as them being like let's leave and he's like alr bet, it reads as odysseus finding reasons to remain on the island even after his crew is ready to go. you can find all of this in the text.

i never mentioned being fixated on the telegony either, all of my rebuttals have been centered around text and examples found in the odyssey itself. it wasn't really a gotcha moment with circe either, there's no debate that odysseus’ is one of history's great morally ambiguous figures in fiction, with or without her.

lastly, i think the odyssey is sooo romantic! a lot of your post seems to have misunderstood the point of mine fundamentally, and that's ok, i probably could have phrased it better! i think epic is romantic, i think the odyssey is romantic, the point i was trying to get at when seriously debating the storytelling of epic is that i think a lot of people miss the nuance that went into the storytelling of the odyssey in favor of a more sanitized, more easy to swallow protagonist. again, how i studied it, and how i believe the odyssey was meant to be read, is as a critical analysis of the human condition. Myths are reflective of the societies they come from, and i want people to be aware that the myths we read are a glimpse into what sorts of things people back then valued and strove for, how they're different from us, and how they're not. you mentioned having wished you’d studied the literature, and i think if you had, you would have come to a similar conclusion.

while i don’t think op misinterpreted my points intentionally in bad faith, calling me an asshole or saying i’m illiterate definitely made me raise an eyebrow. i tried my best to keep the conversations in my own comments respectful and productive, and hostility was definitely not the tone of my original shitpost. i think most people were able to talk about their perspectives and interpretations of the odyssey without going there. i’m attaching my pinned comments below for more context about the post itself

Some assholes on Instagram saying that Epic fans are "gaslighting" themselves about Odysseus being faithful to Penelope because of the Circe part and being pretentious about it and how we are stupid for considering The Odyssey romantic

Motherfucker

1. The Odyssey is an epic poem we all fucking know that? That it's a tragedy, technically comedy (comedy in ancient literature used to mean "happy ending", not funny stuff)

2. The Circe bit can be interpreted in different ways, as if it was fully consensual or not or just a transaction. There was still a difference in power dynamics, which was 100% mentioned by Calypso in the beginning, but if you choose to ignore that part if the same as saying some of Zeus' kids were ok to be conceived because the women agreeded to what A GOD wanted.

3. Obviously Epic!Odysseus is differente from Homer!Odysseus, but trying to say Homer! Odysseus is a horrible person that fully wanted to cheat on Penelope just because you want to defend ALEXANDER HAMILTON, i have bad news about you.

4. "The crew had to beg to go back!" I read the Odyssey too. As a child and a few days ago. They stayed on Circe's island to rest so Odysseus job as a captain was literally wait until his crew told him they were ready to leave, specially after what they have lived. Odysseus didnt force anyone to stay in that island, when the crew went "oh, sir, we miss our families, please lets go back now, yes?" Odysseus immediately said "ok". It literally felt like a father waiting for the kids to stop playing in the playground.

5. Homer!Odysseus is not perfect, at all (man killed his disloyal maids because he didnt want to deal with shit anymore, even if they also were coerced/raped by the suitors), but come with a better gotcha than Circe. You are just fixiated on the Telegony and it shows.

6. Idk what to tell you, but if you think renouncing a life with two inmortal godesses (one of whom offered you immortality), traveling for 10 years defying a God's rage, killing 108 men who wanted to marry your wife (and ruined your house), almost killed yourself when said wife rejected you only for her to go "haha i was just testing you, silly :)", have your literally marriage have a word created for you two specifically is not romantic... Idk go read Bridgerton

[atricksterproblem]

I want to make one thing absolutely crystal clear as I start posting about a new-to-me bit of media.

I've seen a lot of people going on about how one of the creators of Blue Eye Samurai, Michael Green, is a "Zionist". Naturally they're all using the definition of Zionist that a lot of non-Jews have been trying to impose on it recently as opposed to the actual real definition that Jews have been using all this time prior to people losing their damn minds after Oct. 7.

From what I've been able to find, the posts of his that led to all of this whining amounted to "Release all the hostages" and "Maybe stop coming up with reasons why it's OK to kill Jews".

And somehow multitudes of people found those ideas OBJECTIONABLE.

I have gone way beyond my absolute limit of watching the world normalize antisemitism. Make no mistake, that's what is happening here. If you're someone who thinks its OK to boycott Blue Eye Samurai on the basis of what I've covered above, find a different blog to follow. We don't do that here. It's disgusting and I'm SICK of Jewish creators being treated like shit for no reason whatsoever.

This is not up for discussion or debate. I have found, after watching many many threads full of discourse, that people who object to "Zionists" are largely not acting in good faith. They don't want to listen to Jews on this topic at all.

I've already had to withdraw from fandoms and other online communities because I watched them descend into anti-Jewish mania recently. I don't think all of these people even realize that's what they're doing, but the vast majority of them don't want to hear it when it's pointed out and information is provided.

In any case, I'm done. If you are the kind of person who supports Hamas and other terrorist organizations, thinks it's OK to advocate for the destruction of Israel, thinks that it's OK if the hostages never go home, doesn't care that Jews worldwide are being harassed and attacked who have nothing to do with the Israeli government, and wants to change the definition of "Zionist" to "person who supports genocide/killing babies" or even just "Jew I don't agree with", this is not the blog for you. I'm not interested in arguing with anybody, just block me and go away.

We now return you to your regularly scheduled fanblogging, posts about crafts, and random bits of shiny things that interest me.

[evesedenramblings]

Wolfgang Akire and the Blackmail Motive

I have so much to say about this blackmail motive, and I haven’t seen anyone talk about how it’s both indirectly and directly responsible for what went on with Wolfgang. Spoilers under the cut.

Eva and the Direct Killing

Firstly, and most obviously, there’s the direct way with how Wolfgang was affected by Eva. When Damon showed Eva the blackmail he had on Wolfgang, Eva says that it “confirms her feeling that Wolfgang is suspicious”. Afterwards, the group explores the pharmacy, including Eva finding the hidden poster that led to her needing to kill someone. Had Damon not confirmed that suspicion, there’s the slim chance Eva wouldn’t have killed.

To go entirely theoretical, without the blackmail, Eva may have countered Damon when he suggested not trusting the others because of her lack of total suspicion around Wolfgang and his dominance over the group, allowing for her to avoid falling for the motive. It’s also possible Eva would have killed someone besides Wolfgang, though admittedly not likely since she considered Wolfgang the ringleader, and isn’t able to see the people who are kind to her regardless like Diana. Considering Eva’s main reason for murder was her victim complex of everyone hating her, she could have killed someone else, especially with how common it became to bully her for her talent near the end, which Wolfgang didn’t necessarily do, but did “allow” (at least, in Eve’s perspective, which was the only one she needed).

2. Wolfgang and Indirect Killing

Now, what I haven’t seen anyone talk about, is how Wolfgang indirectly caused his own death! Wolfgang is the one who implemented the “one-on-one” conversation policy for blackmail discussions. He even starts to sweat when people start discussing just sharing the blackmail openly beforehand, and he says instead that people need to “give the person a chance to explain themselves”. Given the suspicious contents of Wolfgang’s blackmail, and the fact Wolfgang himself is clearly very aware of it, he implemented this policy not for the safety and structure of others, but for himself. Is this technically, in a roundabout way, implementing a rule for the safety and structures of others, as Wolfgang was aware he had become a leader for most and didn’t want to shake their faith in him? Yes, but it’s because of this selfish decision for privacy rather than open discussion that both Wolfgang and Diana were lured to the boiler room, and Wolfgang was killed. He was trying to preserve his image, and statistically he had a great chance of succeeding with how many people he had gathered to his side. It was unfortunate luck that it was Damon, who later shared with Eva, rather than one of the other 13 students who received his blackmail and likely would have actually brought and talked to him about it. Still, had the entire group had an open discussion and everyone explained themselves, what would have happened? Would Eva still have had a reason to find Wolfgang suspicious if he explained himself? Would it have furthered group trust or worsened it? We’ll never know, but it would have certainly been an interesting thing to see, especially since that’s where it was going before Wolfgang’s interference. We definitely know what happened because of Wolfgang’s decision to discuss the blackmail one-on-one.

3. Bonus Thought: Wolfgang and the Knife

Additionally, a vague foreboding reminder, we have no idea what Wolfgang’s “come to the boiler room” note said. It was ruined by the water, and Eva (its writer) never revealed its contents. The most likely instance is it was a “discussion of blackmail” note, like was used to lure Diana. However, Wolfgang still brought a knife. Considering they were meeting in the dark boiler room all alone, and with what ended up happening, he wasn’t wrong to, but was his original plan to bring a knife to a “normal” blackmail exchange? What for? What was Wolfgang planning to do with the knife if there was no murder plot occurring that morning? Was it a last resort of sorts, if his blackmailer didn’t like his explanation? Was it really just for protection? Regardless, I think it’s fascinating that he clearly brought the knife due to a lack of trust, either for his own protection or his own safety, which goes (again) against everything he was preaching. Wolfgang, who constantly told everyone to trust each other, didn’t trust anyone- to the point he brought a knife to a private meeting and refused to share his own blackmail, which got him killed. Beneath the Veil of Hypocrisy indeed.

[apalapucian]

1:31 AM

they moved the bed by the window two weeks ago, for something to do, for harry to watch the birds from. for them to feel closer to the world as much as the house can afford them.

james used to put two-way soundproofing charms in his room, on the curtains around his four-poster. he needed the quiet to sleep, and he needed sleep to win the quidditch match the next day. lily used to put the wireless on to drown out the world, the more mellow weird sisters b-sides echoing in the background of her dreams.

now, they welcome the clatter. they eavesdrop on their neighbors, revel in them singing and fighting and discussing, live in the pauses of their lives, in their leaving the door and coming back home and settling back in. tonight, crickets chirp and an owl hoots close by, and lily closes her eyes in content, ventures back out to the world through these sounds. sinks further into james's embrace. her head on his chest and their hands laced together. new moon tonight, but the street light permeates the room through the window. half of james's arm is bright orange.

his gryffindor hoodie is old and soft and familiar. he is warm. he is home.

"the cat learned how to knead," she tells him, eyes still closed.

james shifts. "huh?"

"the cat made biscuits today. on the couch."

"out of nowhere? are you sure?" he asks, in awe and disbelief. "it's been two years!"

"i know."

"and we researched."

a lifetime ago: going to a muggle library in muggle clothes, lily finding him so fucking cute in that environment and feeling the need to kiss him every two seconds. but also reading there that cats who get taken too early from their mothers don't learn how to knead. that some cats just don't do it. they were worried about the cat (that's just the cat's name, sirius named him) not ever doing it, but it turned out it's normal. but today —

"i had the same reaction," she says. "he seemed hesitant at first, so i thought he was just scratching it again, but it was actual kneading! he did it, like, a good five minutes."

"did you watch the entire time?"

she chuckles. "i burned my lunch, yeah."

"i can't believe i missed that."

"i can burn it again tomorrow."

he reaches up to pinch her nose. "the cat."

"you needed to see sirius."

quieter: "i did, yeah." it was driving him crazy. the house, not being able to fight. she could tell. besides, she felt it, too.

"he'll do it again," she reassures him. "he did it quite a few times after that, before you came home."

"why do you think is he only doing it now? he has no one to learn from here."

"i don't know. maybe it took him two years to feel comfortable with us?"

"oh my god, he likes godric's hollow? he likes it so much he literally summoned his ancestral abilities?"

well, at least one of us likes it here, she thinks, but doesn't say. she laughs — he does, too — and then they go quiet, and she knows he's thinking the same. knows he also chooses not to say it.

"what did you have for lunch?" he remembers to ask, and it's when he does this, asks these mundane questions about her in a way that makes it seem like it's the most important, most interesting things in the world, that she feels the biggest about him. that she feels a sudden surge of optimism, like she's bigger than the prophecy, than the war.

she says, reeling from the intensity of it, trying to stay in the pace of the conversation, "bacon." she feels like laughing at the whiplash. sometimes she legitimately thinks she's going crazy. "and, um. the last of the sourdough from remus."

"we should ask him for some more. that was really good."

"agreed."

"you okay?" of course he notices.

"yeah. sorry. i'm just — feeling it again."

"the house?" which is to mean everything that comes with it. the dread. the frustration. the hopelessness and uncertainty and unfairness of it all.

"yeah."

he holds her tighter, presses a kiss on the top of her head. "it's not always going to be this way, lil." he's said it so many times. to his credit, the conviction has held up. james is home. james is home.

"i know," she says, even though she doesn't. not really. "i know."

"i'm sorry it's the way it is right now though."

"you're in it, too."

"i know. i'm sorry still."

"hey."

"hm?"

"i love you. you have no idea how much."

he reaches up a second time to tip her face up and kiss her.

in another universe they don't need the neighbors to fight and the crickets to fucking chirp just to feel sane. in another universe the night can be dead still and it is fine. they kiss in the silence and it is fine. he goes out to meet his best friend and lily doesn't need the cat to distract her from being a hair away from a panic attack the entire time he's away, almost crippled with worry, her thoughts spiraling into images of unseeing hazel eyes and broken spectacles. in another universe she loves him and he loves her back and they make out in his old school hoodie as husband and wife, as parents, and that is all there is to it.

"i love you, too," he says, "and i'll live my entire life trying to show you how much."

she chuckles a bit. "geez. it's not a competition."

he laughs, the sound reverberating through his chest, literally felt on her skin. "if it was, i'll win. you'll see."

she will, unfortunately.

but for now there's this, home in her palm and the entire world through the window, her heart soaring and breaking at the same time.

//

[read/subscribe on ao3]

[generalpenguinangel]

Thoughts inspired by @saulbetter's recent posts.

This show is kind of sold or discussed as "spies! but they suck at being spies!" But the thing that all the slow horses actually have in common isn't that they're bad spies, it's that they're people without social capital. They actually range from competent to excellent at the technical aspects of their work (Ho, Catherine, Marcus, Shirley, Coe, and even River are all good at the hard skills of their jobs. We are told Louisa screwed up but in both show and books she is shown to be one of the most reliable performers on the team). But they don't have friends or patrons to protect them when things go sideways.

The reason they're the rejects is because they're loners who struggle to connect with other people for all their various reasons (childhood trauma, job-related PTSD, addiction, personality disorder, inherent temperament). So they're playing checkers when their internal opponents at Regent's Park are playing chess. To the extent that they even realize that the social/political game exists (Ho and Catherine mostly don’t), they're bad at it (Coe, Lech) and/or think they shouldn't have to play it (Marcus, Shirley). River impressively manages to be deficient in all three aspects: totally naive to the politics of advancement within the Park, bad with people, and so committed to his own view of himself as a Boy Scout that he thinks he shouldn't have to sully his hands with any of it.

This is why the show is such a brilliant office drama. This one is for all the folks who are good on paper but bomb in interviews, for all the people who are promoted based on their technical mastery and then shit the bed as managers because they're illiterate at reading people. This is why it's such a stroke of genius that River's ascendant career is cut off at the knees by tailing Taverner. He's so full of himself and such a try hard that he mistakenly thinks doing an unrequested extra credit assignment about his boss makes him clever instead of creepy, annoying, and red flagged as a potential troublemaker.

Unfortunately, because Mick Herron is unable to let the story or the characters grow, this excellent premise results in some deep weirdness later in the book series. (Weirder than the deadbeat dad child soldier sex cult plotline, you say? Idk, you be the judge.)

Book spoilers under the cut.

First, let’s talk about Lech Wicinski. (I know, no one wants to talk about Lech Wicinski, but he is the curly-haired insomniac introvert of my heart so I’m going to talk about him.) I love Lech but parts of his origin story are so stupid. He’s just a normal guy who is comfortable in his niche and relatively unambitious and gets screwed by ambitious people’s big ego shenanigans, which he falls into by accident when he unthinkingly steps outside his work comfort zone for a minute. So far, so good. But then, while he’s desperately trying to save his job and reputation, he’s also… not? Like, why would this sort of overly serious but otherwise very normal young-ish middle class man immediately and inexplicably decide not to seek medical treatment for a profoundly disfiguring injury? Why does he never even actually try to show to his fiancee that the revelation that causes the breakdown of their relationship was completely fictitious? It makes no sense! Except, the author is lazily destroying Lech’s social capital to make it make sense that he’s now a slow horse for life. 

Similarly, River can’t have Sid in S1 because she is a bright and well-rounded person while he is cute but also an idiot nepo baby manchild. So do the books resolve this imbalance by allowing River to grow - or even just change - in response to various challenges like dashed career aspirations, finally meeting his psychopath biodad, the steep mental decline of his beloved father figure, etc? No. Instead of letting River at least attempt to grow up, the books put River and Sid on a level by cutting Sid down instead - putting her in protection (ie. cutting all her social ties) and giving her a traumatic brain injury that hollows out her previously bright personality. Heaven knows we’re all miserable now. Sure do hope they fix that plotline for the show! I love them as endgame and I honestly think the show could do something so satisfying and poignant with them finally finding their missed connection but the books make the way they finally get together so creepy and sad.

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[sunsetovertheocean]

I feel like sibling and platonic relationships don’t get talked enough, especially in relation to romantic relationships in fandoms.

Like cool, I love these ship, but can we PLEASE discuss the fact that Dean is the only person who has never lied to Lia? How he is the only person she will listen to, because he’s the only person she trusts? How Dean was the one person who prevented her from feeling trapped all the time? How Dean was the only person Lia ever let know and get close to the real her? How they were the only constants (besides Judd love him too) in each other’s lives for years in their childhood? The way he knows her and she knows him? She knows how to comfort him and distract him and get him to feel things and tried to help him with his father by looking through his father's file, ignoring her own feelings about it because she just wanted to help him only to find out that she can’t help. (Just think for a moment how she must have felt when she realized that. Because this genuinely breaks my heart.) The fact that they are intensely protective of each other, the way they have conversations without talking just by looking at each other, the way Dean trusts her and Lia trusts him, how they are literally siblings.

And this is going into kind of headcanon-y territory, but I like to believe that Dean didn’t ask Lia any questions about her past and waited for her to tell him herself, and refrained from profiling her (too much at least), and truly didn’t/doesn’t know anything about her past that she didn’t/doesn’t tell him. And how Dean told him things about his past he hadn’t told anyone before, not just to get her to trust him, but also because he trusted her. Just think for a moment please, how Lia, a girl who has been lied to and hurt and threatened and abused by every single person in her life, would feel about meeting someone who didn’t do any of that. Who never even lied to her, not once. For every lie she told him, Dean only ever told her the truth. Dean didn’t blame her for anything, for any part of what she went through. How confused she must have been, finding out that not everyone was like that. How hurt she must have been when she realized that what happened in her past, her childhood, was so much worse than she thought. Because before she thought that everyone was like that and it was normal, but meeting Dean who was entirely fundamentally different in every single way, showed her that it wasn’t. Think about how Dean must have felt, meeting a girl so defensive and closed off. How meeting her awakened a side of him he didn’t think he had, the side that felt and loved and trusted and the side that felt the inexplicable need to protect that girl.

And the fact that to protect her, Dean turns the attention on himself and his past, which he hates, just so Lia doesn’t have to face questions about her own past. Lia would go through hell for him, and he would do the same for her.

Think about how before, all of Lia’s love had essentially been very idk submissive almost, like how she followed her mother and what her mother told her. I think she truly believed at some point that her mother was safe to trust. And then, well, we all know what happened and how her mother is actually evil and— Anyway, after her mother, the only person she trusted in her childhood before, completely shattered and destroyed all senses of trust in others, she lets herself trust and love this boy who trusts and loves her. And this love is fierce and protective, infinitely intense and powerful. The kind of love that can destroy worlds and build new ones, defying all logic and all boundaries. The opposite of what her love had been previously. And think about how much she had to have trusted him to let herself love like that.

Also think about how hurt Lia must have been when Dean shut her out. She trusted him with her whole being, she loved him and she saw them as a unit regardless of what happened and what other people entered and left their lives. They would always be with each other. Dean had never shut her out before, and Dean shut her out too. That hurts my soul way too much for it to be healthy. (I am choosing to believe that they had a conversation afterwards and then they both proceeded to cry and it never happened again yay happy ending tbh considering writing that bc I don't think I will survive if it doesn't end happily like that)

And Dean!! He’s lived his entire life terrified of feeling, terrified of becoming his father. He was living in a house alone with Judd and profiling killers which definitely perpetuated his fear, and then here came this girl whom he could protect. A girl he wouldn’t let himself hurt, a girl he could help for once and not mess it all up. And he didn’t mess it up. He saw how hurt she was, and how little she was willing to admit the truth to. And in that, he saw someone he could understand. He saw someone who he could profile for a good reason, but only profile enough to be able to get her to trust him and not enough to violate her privacy and that trust. He let himself get close to someone for the first time in his life. And for the first time in his life, he wasn’t a monster. Lia didn’t see him as a monster.

Because of their past and childhood, Dean didn’t trust himself and Lia only trusted herself and no one else. But meeting and loving each other? It taught Dean he can trust himself not to hurt someone. And it taught Lia that she can trust someone who won’t hurt her.

Maybe it’s because of the amatocentric world being way too focused on romantic relationships, but why aren’t we talking about this more??

[lol-jackles]

The AO3 polls about who writes more overall versus who wrote more in the last year made me remember a discussion I had with friends about a year out from finale: many of us were still SPN fans (always will be), but were more involved with other show fanarts because they were still active shows.

Not that many of my friend group totally left-left, but also as "satisfied customers" we just weren't feeling the need for fixit fics like people who disliked the ending had. I think that, more than some sudden change in perceptions, might be why numbers have shifted.

New viewers in the GA still pretty much seem to be reacting the same way as they always did.

New viewers who are super active on social media go into one "side" or the other to get clicks--and rage farming is the new normal on some sites.

I hope that some of us not being as noisy as we once were doesn't get us ignored. Again, for my group at least, we're quieter because we're (?) ok.

Right, Supernatural gave nothing to Destiel shippers, not even subtext. So they have to resort to mass producing fanfictions to fill the void.  Wincest shippers always brag how they don’t have to make up stuff from thin air or manip stuff because they get the on-screen goodies to sate their kinks and feed their imagination.   Last I heard Wincest has their own humongous archive outside of Ao3, not to mention the only ship mentioned by Mainstream Media is Wincest. (x)

From your experience it sounds like the more things change, the more they stay the same. You the Sam-leaning Bibro fans are the best representatives of the General Audience so you're always going to win. The rage farmers burn out sooner than later and have to move on to another moving target. The stubborn few that remain will be like the Spirk shippers (Kirk/Spock) trying to convince people that it was they who kept Star Trek alive years after cancellation when it was actually because of syndication and new generation of fans discovering the show.

Have you heard of the Spirk shippers doing what I just told you? Likely no. Even most Trekkies have to squint to find the Spirk shippers and there will be general fans going, “Wait, there are people who think there was a thing between Dean and the neutered gerbil?”

[rust-official]

Well, yeah, you can put it anywhere, but saying that doesn't really contribute meaningfully to the discussion, does it? I can keep my code repos on my laptop, but if I want to share them then that is kinda inconvenient for anyone who wants to pull while it's sleeping and so on. Yeah, it Just Works™ because of how git works, but do you have any idea how much resistance people have to simple things like opening up a terminal emulator and learning git-send-email? Even if you don't actually send the email, even if you just pop it into a matrix message as a code block, It's as bad as getting people to play a different TTRPG when all they know is 5e dnd.

Yes, yes, CI/CD and all that. That's why I mentioned sourcehut, which does provide those things. CI/CD is the only thing that's not free in the alpha/beta because, as you said, it's Not Cheap™. But for a normal user it's also not terribly expensive, either, and they have provisions for folks who genuinely cannot afford it, too.

I don't really see the point of the rest of your points about github because they just seem to be saying "well github is popular because it's popular and there's not much we can do because it's free 🤷‍♀️" when there absolutely are things we can and should be doing.

Sourcehut presently depends on folks volunteering to pay, but they will be going to a paid-only model for hosting projects when they finish their alpha/beta testing--participating, especially e.g. by cloning repos and sending patches via git-send-email, will always be free.

You can argue for completely free services all you want, but it's clear by now (and has been for a while) that if you're not paying for a product then you are the product (yes yes I know I'm typing this on tumblr dot com, we live in a society, go install an ad blocker already) and we really need to abandon that model if we want to move forward.

Saying there's no alternatives is the kind of defeatist mentality that leads people to pick the MIT license imo

looking to migrate my stuff from github to another service, and i know lots of people have been recommending to switch to gitlab for years, but is it still even that good? i see their front page advertise AI like crazy.

feature-wise what im looking for honestly is to have some private repos, and markdown to look similar enough to github so i don't have to spend too much time on the README files.

[jubmato]

i cannot stop drawing ctommy girl HELP

based on

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[iguessitsjustme]

Something I find fascinating about Wandee Goodday is that no one has kissed yet (I know Ye and Cher have kissed but...) Like not a full on make out session despite having an established couple in the show that they could be using to show us kisses. But we get no kiss sex scenes from Yak and Dee and soft, somewhat chaste scenes from Ye and Cher. We all know both couples are fucking. But the lack of kisses where normally the show would have one couple more active in that department tells me how important kissing is to this story.

Dee has stated that it's silly but he doesn't want to kiss unless he loves that person and is serious with them. But the entire show is respecting the no kiss rule which tells me that it's not silly. The entire show is respecting Dee's boundary here. And yes, Yak and Dee have come so close to kissing so many times, but they haven't. Dee has always pushed him away and Yak has always respected it when he does.

It makes me wonder what's going to happen once the main couple does eventually lock lips. Will that open the floodgates? Will the audience get to see both couples kissing then? Or will it continue to withhold that specific moment of intimacy. There's something the show is saying about the expected parts of intimacy being taken for granted and also deserving of privacy and that's up to the people in the relationship.

Kissing can be an act of love and desire, but what the show is saying is that it is not a requirement for those things. I can be completely talking out of my ass here, but something about this is really sitting with me. Not only do we get Plakao as ace representation, someone who wants a partner to cherish and be cherished without sexual expectations, but we also get the show reinforcing the ideas that love comes in all forms with so many different acts and different people are comfortable with different things. And all of that is okay. And all of those boundaries are worthy of being respected. Regardless of societies expectations for what it means to be in a relationship and be physical, whatever is right for you is right and isn't that just beautiful?